This Mongrel Age

Kindred Spirits
Past, Present and Fictional

Jack Muskham

He was, in fact, an idealist. To breed the perfect horse was his ideal, as little realisable, perhaps, as the ideals of other men, and far more absorbing—in his view. Not that he ever mentioned it—one did not use such a word! Nor did he bet, so that he was never deflected in his judgments by earthly desires. Tall, in his cigar-brown overcoat, specially lined with camel’s hair, and his fawn-coloured buckskin shoes and fawn-coloured face, he was probably the most familiar figure at Newmarket; nor was there any member of the Jockey Club, with the exception of three, whose dicta were more respected. He was in fact an outstanding example of the eminence in his walk of life that can be attained by a man who serves a single end with complete and silent fidelity. In truth, behind this ideal of the ‘perfect horse’ lay the shape of his own soul. Jack Muskham was a formalist, one of the few survivors in a form-shattering age; and that his formalism had pitched on the horse for its conspicuous expression was due in part to the completeness with which the race-horse was tied to the stud book, in part to the essential symmetry of that animal, and in part to the refuge the cult of it afforded from the whirr, untidiness, glare, blare, unending scepticism, and intrusive blatancy of what he termed “this mongrel age.”


From Flowering Wilderness by John Galsworthy.

Image: John Galsworthy (© Bettmann/CORBIS)